PROGRAM
TWO
SEPTEMBER 3 Wednesday
Showtime 7:30 p.m.
Visual Communications @ The Union Center for the Arts
120 Judge John Aiso Street • Basement Level • Los Angeles
Little Tokyo
(Formerly North San Pedro Street, between First and Temple Streets.
FREE Parking; Enter at Lot #7)

KALI
KLUB, THE
(United States, 2003) Directed by Michael-David Caigoy
Mark and Celina, two individuals whose lives and frustrations couldn’t
be further apart, describe the feelings of release they get from studying
escrima, a form of Filipino martial arts. Mark speaks matter-of-factly
about the constant threat of drive-bys and ambush shootings in his Temple
Street neighborhood in downtown Los Angeles; while Celina longs to find
meaning in her life apart from her rat-race existence as a small-business
owner.
Video, 5 minutes, documentary
GOOD
SON, THE
(United States, 2002) Directed by Michael Sandoval
With every punch he buries in the sandbag, a young Filipino defends
his own private room at his father’s house in Queens, New York.
Jaime Soriano is an evangelist preacher. Come Sunday, he preaches to
Filipino immigrants at the same place where his son Jimmy receives his
training in the Filipino martial art, kali. Jaime’s sermons are
full of punishment, redemption, of turning the other cheek—and
the need to respect one’s parents. Jimmy assists his father in
his ministrations. The preacher and the angry young fighter have found
a compromise that is by no means easy for either of them.
Video (originated on 16mm), 9 minutes, documentary
CATHARSIS
(United States, 2002) Directed by Debbie Ramos
In this intense yet detached personal documentary, the director, a college
student at a local Southland university, recounts her evolving relationship
with her mother, who periodically leaves home to maintain an illicit
relationship with a convict serving a prison sentence at the California
Men’s Colony in Central California.
Video, 11 minutes, documentary
CHOCOLATE
(United States, 2003) Directed by Ron Domingo
A boy smuggles chocolate to his lolo, unaware that his stern lola is
on to his scheme. Will our hero cover up his deed in time? Or will he
even need to?
Video, 5 minutes, narrative
ON
SUNDAYS
(United States, 2002) Directed by Mia Villanueva
Set in the early 1990s, ON SUNDAYS centers around a 10 year-old girl
named Tiya, the product of a teenage marriage. Tiya is the joy of each
parent’s life, but both parents struggle daily with the consequences
of their youth and naivete as they try to make ends meet. To ignore
and avoid her parents’ problems, Tiya turns to music, specifically
a hip-hop program showcasing DJs and MCs that, over time, becomes her
escape and saving grace from the realities of family life.
Video (originated on 35mm), 16 minutes, narrative
TWENTY
FOUR
(United States, 2003) Directed by Christine Apa
TWENTY FOUR is a story of struggle, silence, and self-expression that
observes the activities of Ari, an emerging artist at her first gallery
show. Each of her pieces transport her to the day where date rape became
a factor in her life. Her struggle was marked by shame and secrecy,
but her art provides a power that enables her to overcome her silence.
Video, 13 minutes, documentary/performance
SKID
MARKS
(United States, 2003) Directed by Chito Arellano, Roman Cortez,
and Tracy Tubera
The latest comic send-up from Southern California’s Seven-Oh-Five
posse imagines our heros (Chito, Roman and Tracy—who else?) as
Reed Spacer, Michael McNight (The KnightRider, yo) and Triple Deezel
battling for supreme conquest of the suburban streets. Produced for
mere pennies on the dollar—and probably not even that much—SKID
MARKS packs more entertainment value than that tired “2 Fast”-Whatever
movie from earlier this summer. And those wise-cracking Pinoys (and
lone Chicano) and their race cars aren’t so bad, either.
Video, 10 minutes, narrative