Hsin-Ping
Pan Talks About BLUE RAIN
Interview by Amy Ikeda
What was your inspiration for BLUE RAIN?
One day in a coffee shop, I saw a girl crying with her hands covering
her face. I couldn’t see her face but I felt that she had
the saddest face I ever. That scene is the origin of the story.
The floods that happened in certain area of Taiwan also inspired
me. I saw on news one day that these floods occur almost every
year. It is very awful. While I was watching the news, the yellow
little guy suddenly appear and started telling stories about the
flood happened in that girl’s eye, which is also his room.
Therefore the story began.
Have
you ever directed or had interest to direct non-animated films?
What made you decide to be an animator?
I have never directed a non-animated film. I think animation is
a great medium for me to express myself to others. Animation allows
me to bring out the imaginary world in my mind and make it visible
on a screen and share it with people.
Who or what did the lady who sat on the top of the hill crying,
symbolize?
She symbolizes all the sadness.

A scene from Pan Hsin-ping’s BLUE RAIN
What is the most import thing that you hope audiences
interpret or receive from your short?
When I am crying, I sometimes feel that I split into two parts.
Part of me is drowning in all the tears and sadness, but at the
same time, another part of me tries to comfort her and tell her
that it will be fine and that there are still many great things
going on in this world. In BLUE RAIN, that little person symbolize
the more courageous me, who refuses to surrender to the sadness
and tears and tries to pull the crying girl out of the misery.
I hope my film can bring some warmth and happiness to audience.
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